一部有关狙击战的新片［狙击生死线］

剧情：丛林、小屋、爱犬和心爱的女友莎拉（凯特·马拉），在阿肯色州偏僻的某处，留起络腮胡的鲍勃·李·斯万格（马克·沃尔伯格）过着隐居的宁静生活。直到一天，一队人马找上门来。原来斯万格本是数一数二的神射狙击手，因为一次在埃塞俄比亚的行动失败，本来就厌倦了冰冷枪械生涯的他，毅然决定退隐山林消失踪迹。
前来“探访”的正是斯万格曾经的上司约翰逊上校（丹尼·格洛弗）。据情报局密探消息，总统的下一次重要街头演讲中，恐怖分子很可能会有所行动，当局惟有希冀借助斯万格的非凡狙击经验，在暗处确保总统的人身安全。碍不过昔日上司的恳求，斯万格应允接受了这最后的任务。
然而，这任务本就是危险重重的“陷阱”！总统演讲当天，潜伏在对面大楼监视的斯万格，不仅没办法保护政府高官，还冷不防背后中了冷枪，当场跌落窗台。虽然凭超强能力侥幸逃生，但斯万格发现自己已经稀里糊涂地被当作刺杀总统的疑犯通缉！遭人陷害成了替罪羊，还被迫到处逃亡，落难天涯的斯万格决定重拾狙击，开始反击复仇！

看点：动作戏火爆的狙击实录
一支来复枪可以如何翻天覆地？冰天雪地的松林狩猎，繁华热闹的街道混战，那些都是隐退狙击手的小试牛刀，一旦命悬一线、连死都可能不明不白，这位顶级神射手就将施展进出戒备森严的白宫如无物的绝技，追逐真凶。英雄末路，为求洗刷罪名而亡命天涯的戏码已经见惯不惊，可带着枪杆子的是寻常百姓还是天才枪手，结果却有着很大区别。
伏击、爆炸、肉搏、枪战，操纵狙击生死线走向的黑人导演安东尼·福奎，便是这场常规战的秘密武器之一。事实上，最擅长动作片种的福奎，不仅曾带让第一次闯荡好莱坞的发哥《血仍未冷》，也在《训练日》里捧出了历史上第一位黑人奥斯卡影帝，可谓艺术商业内外兼修。虽然近几年的打斗路途走得有些颠簸（《太阳之泪》、《亚瑟王》皆遭遇滑铁卢），但此次回归动作惊险题材，稳扎稳打只是小菜。
而在幕前上膛射击的个性小生马克·沃尔伯格，则是另一个隐藏炸弹。已经从昔日痞气坏小子完美进化成演技派烈性帅哥的沃尔伯格，怀揣《无间道风云》网罗来的奥斯卡最佳男配角提名，底气更不一般。既然勇于上跳下跃不用替身，从六块腹肌到凌厉眼神都无可挑剔，那么攒点旺盛体力和幕后黑手斗智斗勇这种任务，简直是沃尔伯格的囊中之物。

对白精选：
拍摄花絮：
导演阐述：
片花：
歌曲：
其它：总统+阴谋论，好莱坞似乎又闻到了金钱的“臭”味。风靡上世纪90年代初的一系列阴谋论电影，在神神叨叨之余不乏精品。其中“世纪大阴谋”型的《刺杀肯尼迪》，虚实难辨的构架更是一石激起千层浪，让嗜好这口的作家们灵感不断，1993年出版的畅销小说《着陆点》，也是这股阴谋浪潮中的中流砥柱。虽然流行早换了很多季，可向来不忘怀旧的好莱坞又打起了改编的主意，顺带产出的便是《狙击生死线》。 照着当下现代硬核派动作戏缺乏的空档，陷阱重重的狙击手复仇记也还算紧张刺激。传奇狙击手银幕示范狙击细节的噱头、动作至上的导演出马、正义与复仇的灰色领域，都是娱乐大众的不错消遣。虽然被莫名陷害而逃亡的题材有老调重弹、审美疲劳的嫌疑，但当红猛男马克·沃尔伯格既能把老掉牙的体育励志片《万夫莫敌》推上票房冠军宝座，如此商业味浓重的动作惊悚想必也不会意外落马。

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本人是狙击战影片的狂热分子.[火战士](1,2,3集)[兵临城下]那是百看不厌.欢迎同好一起聊聊.欢迎喜欢狙击战的朋友

美国的这种商业片,越来越没的看了.

看过预告，据说评价不高

兄弟是不是审美疲劳哦

原帖由 yaomei 于 2007-4-2 12:35 发表
看过预告，据说评价不高

恩~你的头像不错~偶很喜欢~:D :D

剧情很老套啊，数年前就有类似的片子了:D

双狙人３部都太滥了。。。。。期待这部。。。

原帖由 shman007 于 2007-4-2 18:30 发表
双狙人３部都太滥了。。。。。期待这部。。。

双狙人的第一部是经典之作.可以当教学用的.狙击作战的细节表现得相当过细.

好象不是中文字幕的;funk

"深入敌后1"也有狙击内容哦!

火战士里面的一些表现狙击战的细节很有意思．比如用小锉磨右手食指指肚以保持手指对板机的感觉；磨枪弹弹头；单兵动作和双人交替掩护；用大便诱惑狼犬；击发时的呼吸调整．．．．．．一下数不过来了．精典中的精典．

前几天看cnn的新闻时发现老美已经把这部片子批了一通了！:o

http://edition.cnn.com/2007/SHOW ... ooter.ap/index.html
(AP) -- The name of the movie is "Shooter," and for a while director Antoine Fuqua is right on target with this claustrophobic tale of conspiracies, lies and double-crosses.

Ultimately, though, it collapses -- as so many action films of lesser intelligence do -- into a seemingly eternal series of explosions and false endings.

Mark Wahlberg stars as Bob Lee Swagger (seriously, that's his name), the hero of Washington Post film critic Stephen Hunter's novel "Point of Impact," which provides the inspiration here.

Swagger is a reclusive former Marine sniper who's been hiding in the Wyoming mountains ever since a botched mission in Ethiopia that left his partner shot to death. Wearing a trucker hat and facial scruff that would have made him look just as much at home among Brooklyn hipsters, Swagger enjoys a quiet life with his loyal, beer-fetching dog. (Their friendship is actually surprisingly sweet.)

One day, government honchos pull up to the cabin (we know they must be bad guys because Elias Koteas is one of them) and ask him to take part in that tried-and-true one last job.

The government has learned of a planned assassination attempt on the president, retired Col. Isaac Johnson (Danny Glover) tells him, and Swagger must figure out how the shooter would do it in order to prevent it.

But then when the shooting happens anyway in Philadelphia, Swagger is framed for it and goes on the run. With the help of inexperienced FBI agent Nick Memphis (Michael Pena) and his partner's widow, Sara (Kate Mara), Swagger outwits, outplays and outlasts dozens of heavily armed adversaries from a variety of agencies, both official and unofficial.

Yes, he's a highly trained military stud in the classic cinematic tradition of Rambo, but eventually his ability to survive grows ridiculous. Fuqua ("Training Day") stages a car chase through the streets of Philly that can be thrilling, and for a while you feel like you're right there alongside Swagger as he figures out one move after the next.

Then come the plot holes, the cartoonish performances (especially from Ned Beatty as a crudely drawn, corrupt Montana senator) and -- oh, yes -- the stuff that gets blowed up real good, including a sport utility vehicle, several helicopters and an entire log cabin.

Did we mention? Swagger makes his own bombs from a few items he and Memphis picked up at the hardware store. Each blast feels more gratuitous than the last, as does the needless abuse of Sara in a particularly unseemly blend of sex and violence.

Fuqua's film, from a script by Jonathan Lemkin, is far more powerful in its small, quiet moments -- and indeed there are some. Mara ("We Are Marshall," "Brokeback Mountain") can be subtle and lovely as the lonely, young woman who's startled by Swagger but also strangely drawn to him. The tight, visceral cinematography from Peter Menzies Jr. adds to the tension.

And Wahlberg, all buffed and stoic, continues to solidify his screen presence as a believable action hero -- a working-class guy who believes in honor and loyalty, just like you and me, only with bigger biceps.

Unfortunately, no amount of physical strength could keep this movie from spinning out of control.

顶一个``下来看看``希望好看啊!!